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Anton
Torbeev
conductor
Сareer
2016 – present
Principal Conductor
Principal Conductor
The Primorsky Stage
of the Mariinsky Theatre,
Russia
of the Mariinsky Theatre,
Russia
2013 – 2015
The Primorsky Stage of the Mariinsky Theatre,
Russia Principal Conductor,
Head of the Opera Troupe
The Primorsky Stage of the Mariinsky Theatre,
Russia Principal Conductor,
Head of the Opera Troupe
2012 – 2013
State Academic Musical Theatre,
Kazakhstan — Music Director
State Academic Musical Theatre,
Kazakhstan — Music Director
Education
Primary teachers & mentors
:
John Axelrod
Edward Serov
Wolfgang Doerner
Peter Gribanov
Edward Serov
Wolfgang Doerner
Peter Gribanov
2007 – 2012
Rimsky-Korsakov State Conservatory,
St. Petersburg, Russia MM,
Operatic and Symphonic Conducting,
w/ Prof. Edward Serov
Rimsky-Korsakov State Conservatory,
St. Petersburg, Russia MM,
Operatic and Symphonic Conducting,
w/ Prof. Edward Serov
2011 – 2012
Graz University of Arts and Music,
Graz, Austria Assistant Training,
w/ Prof. Wolfgang Doerner
Graz University of Arts and Music,
Graz, Austria Assistant Training,
w/ Prof. Wolfgang Doerner
At present
Studying in the assistantship of the Moscow
P.I. Tchaikovsky Conservatory
Studying in the assistantship of the Moscow
P.I. Tchaikovsky Conservatory
Awards
and grants
2021
The award of excellence «Lanyi International
Conducting Competition» (Serbia)
The award of excellence «Lanyi International
Conducting Competition» (Serbia)
2021
Special jury award
«Only Stage Conducting Competition»
Special jury award
«Only Stage Conducting Competition»
2018
Audience Award,
Hong Kong International
Conducting Competition
Audience Award,
Hong Kong International
Conducting Competition
2016
Grant Winner,
The Solti Foundation (Belgium)
Grant Winner,
The Solti Foundation (Belgium)
2016
Grant Winner,
Gartow Foundation (Germany)
Grant Winner,
Gartow Foundation (Germany)
2008
Cultural Fellowship in the
field of Performing Arts,
City of St.Petersburg (Russia)
Cultural Fellowship in the
field of Performing Arts,
City of St.Petersburg (Russia)
2007
Young Talent Award,
The Russian Cultural Foundation
Young Talent Award,
The Russian Cultural Foundation
Guest conducting
Mariinsky Opera and Ballet Theater, St. Petersburg, Russia
Sichuan Symphony Orchestra, Chengdu, China
National Philharmonic Orchestra of Russia, Moscow, Russia
Seoul Concert Philharmonic, Seoul, South Korea
Volgograd Symphony Orchestra, Russia
Karaganda Symphony Orchestra, Kazakhstan
Astana Symphony Orchestra, Kazakhstan
Khabarovsk symphonic orchestra, Russia
Sichuan Symphony Orchestra, Chengdu, China
National Philharmonic Orchestra of Russia, Moscow, Russia
Seoul Concert Philharmonic, Seoul, South Korea
Volgograd Symphony Orchestra, Russia
Karaganda Symphony Orchestra, Kazakhstan
Astana Symphony Orchestra, Kazakhstan
Khabarovsk symphonic orchestra, Russia
2014
Lorin Maazel, Conducting Fellow, Castleton Festival,
USA
2012
Peter Guelke and Salzburg Soloists,
Austria
2012
David Zinman, Switzerland
Festivals & masterclasses
2011, 2012
Bernard Haitink and Lucerne
String Orchestra,
Switzerland
2011
Fabio Luisi, Conducting Academy,
Pacific Music Festival,
Japan
Festivals & masterclasses
2011, 2012
Bernard Haitink and Lucerne
String Orchestra,
Switzerland
Switzerland
2011
Fabio Luisi, Conducting Academy,
Pacific Music Festival,
Japan
Japan
2014
Lorin Maazel, Conducting Fellow, Castleton Festival,
USA
USA
2012
Peter Guelke and Salzburg Soloists,
Austria
Austria
2012
David Zinman,
Switzerland
Switzerland
«He is a highly talented and extremely
serious musician, who understands
very well how to convey his intentions
and inner engagement to the orchestra.
For this he employs a well-developed
conducting technique as well as a
combination of straight-forward
friendliness and determination».
Peter Guelke,
President of the Saxon Academy of Arts
«Mr. Torbeev has a widespread repertoire,
he has an excellent stick technique.
His work with the orchestras is very efficient,
his concerts are always interesting and
leave the public enthusiastic».
Wolfgang Doerner,
Principal Conductor, Orchestre Pasdeloup
«He is a highly talented and extremely serious musician, who understands very well how to convey his intentions and inner engagement to the orchestra. For this he employs a well-developed conducting technique as well as a combination of straight-forward friendliness and determination».
Peter Guelke,President of the Saxon Academy of Arts
«Mr. Torbeev has a widespread repertoire, he has an excellent stick technique. His work with the orchestras is very efficient, his concerts are always interesting and leave the public enthusiastic».
Wolfgang Doerner, Principal Conductor, Orchestre Pasdeloup
«Anton is a very gifted young man. He is deeply musical, has a good power of focus and concentration and is able technically to convey clearly his intentions to the orchestra. He knows how to pace a work, and to keep the musical line flowing trought it. I was very impressed by what he already achives at relatively young age».
Bernard Haitink, Conductor Laureate, Royal Concertgebouw Orchestra Conductor Emeritus, Boston Symphony Orchestra
«Anton is a strong musical character, his conducting is natural and musical».
Johannes Schlaefli, Head of Conducting department of the University of Arts Zurich
«Anton is a very gifted young man.
He is deeply musical, has a good power
of focus and concentration and is able technically
to convey clearly his intentions to the orchestra.
He knows how to pace a work,
and to keep the musical line flowing trought it.
I was very impressed by what he already
achives at relatively young age».
Bernard Haitink,
Conductor Laureate, Royal Concertgebouw Orchestra
Conductor Emeritus, Boston Symphony Orchestra
«Anton is a strong musical character,
his conducting is natural and
musical».
Johannes Schlaefli,
Head of Conducting department
of the University of Arts Zurich
Repertoire: opera
Gaetano Donizetti
«Lucia di Lammermoor»
Nikolai Rimsky-Korsakov
«The Tsar’s Bride»
Giuseppe Verdi
«Aida»
Pyotr Ilyich Tchaikovsky
«The Queen of Spades»
Pyotr Ilyich Tchaikovsky
«Eugene Onegin»
Giacomo Puccini
«Tosca»
Sergei Prokofiev
«The Love for
Three Oranges»
Three Oranges»
Wolfgang Amadeus Mozart
«Die Zauberflöte»
Giuseppe Verdi
«Macbeth»
Igor Stravinsky
«Mavra»
Giuseppe Verdi
«La traviata»
Georges Bizet
«Carmen»
Repertoire: opera
Gaetano Donizetti
«Lucia di Lammermoor»
Nikolai Rimsky-Korsakov
«The Tsar’s Bride»
Giuseppe Verdi
«Aida»
Pyotr Ilyich Tchaikovsky
«The Queen of Spades»
Pyotr Ilyich Tchaikovsky
«Eugene Onegin»
Giacomo Puccini
«Tosca»
Sergei Prokofiev
«The Love for
Three Oranges»
Wolfgang Amadeus Mozart
«Die Zauberflöte»
Giuseppe Verdi
«Macbeth»
Igor Stravinsky
«Mavra»
Giuseppe Verdi
«La traviata»
Georges Bizet
«Carmen»
Repertoire: ballet
Igor Stravinsky
«Apollon musagète»
Georges Bizet-Rodion Schedrin
«Carmen Suite »
Ludwig Minkus
«Don Quixote»
Adolphe Adam
«Giselle»
Rodion Schedrin
«The Little Humpbacked Horse »
Adolphe Adam
«Le Corsaire »
Pyotr Ilyich Tchaikovsky
«Swan Lake»
Igor Stravinsky
«The Firebird»
Pyotr Ilyich Tchaikovsky
«The Nutcracker»
Pyotr Ilyich Tchaikovsky
«The Sleeping Beauty»
Sergei Prokofiev
«Prodigal Son»
Fikret Amirov
«1001 nights»
Ludwig Minkus
«La Bayadère»
Repertoire: ballet
Igor Stravinsky
«Apollon musagète»
Georges Bizet-Rodion Schedrin
«Carmen Suite»
Ludwig Minkus
«Don Quixote»
Adolphe Adam
«Giselle»
Rodion Schedrin
«The Little Humpbacked Horse»
Adolphe Adam
«Le Corsaire»
Pyotr Ilyich Tchaikovsky
«Swan Lake»
Igor Stravinsky
«The Firebird»
Pyotr Ilyich Tchaikovsky
«The Nutcracker»
Pyotr Ilyich Tchaikovsky
«The Sleeping Beauty»
Sergei Prokofiev
«Prodigal Son»
Fikret Amirov
«1001 nights»
Ludwig Minkus
«La Bayadère»
Repertoire: orchestra
Oratorios and cantatas:
D. Verdi
«Messa da Requiem»
F. Mendelssohn
Symphony 2
Symphony 2
«Hymn of Praise»
S. V. Rachmaninov
«The bells»
S. I. Taneev
«John of Damascus»
Symphonies:
P. I. Tchaikovsky (1 – 6)
S. V. Rachmaninov (2, 3, Symphonic Dances)
D. D. Shostakovich (1 – 15)
S. S. Prokofiev (3, 6, 7)
W. А. Mozart (36, 39 – 41)
L. Beethoven (1 – 9)
F. Mendelssohn (2, 3, 4)
R. Schumann (1,3)
I. Brahms (1 – 4)
G. Berlioz
«Symphonie Fantastique»
А. Dvorak (8, 9)
Film music:
A. G. Schnittke
«Agony»
D. D. Shostakovich
«Adventures of Korzinkina»
«The tale of the priest and of his workman Balda»
Repertoire: orchestra
Oratorios and cantatas:
D. Verdi
«Messa da Requiem»
F. Mendelssohn
Symphony 2
«Hymn of Praise»
S. V. Rachmaninov
«The bells»
S. I. Taneev
«John of Damascus»
Symphonies:
P. I. Tchaikovsky (1 – 6)
S. V. Rachmaninov (2, 3, Symphonic Dances)
D. D. Shostakovich (1 – 15)
S. S. Prokofiev (3, 6, 7)
W. А. Mozart (36, 39 – 41)
L. Beethoven (1 – 9)
F. Mendelssohn (2, 3, 4)
R. Schumann (1,3)
I. Brahms (1 – 4)
G. Berlioz
«Symphonie Fantastique»
А. Dvorak (8, 9)
Film music:
A. G. Schnittke
«Agony»
D. D. Shostakovich
«Adventures of Korzinkina»
«The tale of the priest and of his workman Balda»
